Rebecca Rojer Dedicated Project Visit Application - Revision history

Rrrojer: Blanked the page

2012-06-01T00:37:52Z

Blanked the page

Rrrojer at 00:37, 1 June 2012

2012-06-01T00:37:32Z

← Older revision		Revision as of 00:37, 1 June 2012
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	~~==Stats & Contact Info==~~
	~~''Name, age, gender, location, contact info (phone, email, Skype).''~~
	~~#'''Name:''' Rebecca R. Rojer~~
	~~#'''Age:''' 23~~
	~~#'''Gender:''' Female~~
	~~#'''Location:''' Brooklyn, NY~~
	~~#'''Contact Info:'''~~
	~~##'''Phone:''' ''Will email separately''~~
	~~##'''Email:''' rebecca(at)rrrojer(dot)net~~
	~~##'''Skype:''' rrrojer~~

	~~==Photo & Intro Video==~~
	~~[[Image:Rebecca_Rojer-2.jpg\|thumb\|Rebecca Rojer]]~~
	~~<html>~~
	~~<iframe width="420" height="345" src="https://www.youtube.com/embed//Fzf5UUJd3zM" frameborder="0" allowfullscreen></iframe>~~
	~~</html>~~

	~~== Schools ==~~
	~~''Please list schools you have attended, degrees and/or major areas of study or training, and independent studies that you have done.''~~
	* '''HARVARD UNIVERSITY''' Cambridge, MA.
	~~A.B. in Visual & Environmental Studies - Film Production Track, 2010.~~
	* '''WILLIAM H. COSBY FUTURE FILMMAKERS WORKSHOP at NYU''' New York, NY
	~~Scholarship to study film for 15 students in the tri-state area. Spring 2004.~~
	* '''CSSSA ANIMATION PROGRAM at CALARTS''' Valencia, CA
	~~California Arts Scholar. July 2004.~~
	* '''COLUMBIA HIGH SCHOOL''' Maplewood, NJ
	~~Graduated June 2005.~~

	~~== Work Experience ==~~
	~~'' Please attach a resume or provide a list of work experience, both paid and volunteer. ''~~

	*'''[http://www.imdb.com/title/tt1667307/ DAMSELS IN DISTRESS]''' New York, NY
	~~''Assistant to the Director'', August 2010 – August 2011 <br />~~
	Assisted filmmaker Whit Stillman throughout the production cycle of a feature film. Liaised between the production office and director. Managed calendar. Initiated negotiations with product placement companies, music rights holders, and post-production houses.

	*'''[http://www.ashley-amber.com ASHLEY/AMBER]''' Cambridge, MA
	~~''Filmmaker'', September 2009 - January 2011<br />~~
	Wrote, directed, edited & produced a short film. Official Selection of the ''Berlin International Film Festival'' (2011); Winner, “Best Student Film,” ''New Jersey International Film Festival'' (2011).

	*'''[http://design.rrrojer.net/ RRROJER DESIGN]''' Brooklyn, NY
	~~''Freelance Web Designer'', 2006 – Present <br />~~
	Designed and maintained a variety of websites in Wordpress and Drupal. Clients include [http://sjkaplanlaw.com/ small] [http://www.unioncountyortho.com/ businesses], [http://ashley-amber.com/ artists], and non-profits.

	*'''[http://www.cottonwoodgulch.org/ COTTONWOOD GULCH FOUNDATION]''' Thoreau, NM
	~~''Assistant Cook'', Summer 2007 & 2008 <br />~~
	~~Helped cook 3 meals a day for 30-75 campers & staff at a wilderness summer program in New Mexico, including many farm-to-table dishes comprised produce grown in the camp's garden.~~

	* '''[http://cyber.law.harvard.edu/research/youthandmedia/digitalnatives DIGITAL NATIVES PROJECT], BERKMAN CENTER''' Cambridge, MA
	~~''Intern'', September - December 2008 <br />~~
	~~Contributed research and graphic/UI design to the development of a “Creative Rights” curriculum for middle school students.~~

	*'''[http://creativecommons.org/ CREATIVE COMMONS]''' San Francisco, CA
	~~''Business Development Assistant'', June 2007 – May 2008. <br />~~
	Created mock-ups to visually demonstrate Creative Commons licensing integration with various web services and online communities. Prepared presentational materials and blog posts. Co-wrote and co- illustrated Sharing Creative Works, an illustrated guide to Creative Commons licensing.

	* '''[http://www.dccomics.com/dccomics/ DC COMICS]''' New York, NY
	~~''Creative Services Intern'' Summer 2006 <br />~~
	~~Prepared promotional materials for the DC website using Flash and Photoshop. Edited Podcasts.~~

	~~== References ==~~
	~~'' Please provide 3 References with email and phone number - 2 work references, 1 personal reference''~~

	~~Will provide references privately via email~~

	== Why are you applying? ==		== Why are you applying? ==
	''How did you hear about the program? Why are you applying for a Dedicated Project Visit? Why are you interested in our work?''		''How did you hear about the program? Why are you applying for a Dedicated Project Visit? Why are you interested in our work?''

Aaron Makaruk at 18:51, 21 February 2012

2012-02-21T18:51:35Z

← Older revision		Revision as of 18:51, 21 February 2012
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	== What are the metrics by which you could assess the success of your work?==		== What are the metrics by which you could assess the success of your work?==
	Number of videos published, number of views each video receives, and comments left on the videos.		Number of videos published, number of views each video receives, and comments left on the videos.

			[[Category:Dedicated Project Visits]]

Rrrojer: /* Resources Required & Budget */

2011-09-13T05:22:52Z

Resources Required & Budget

← Older revision		Revision as of 05:22, 13 September 2011
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	Now that nearly every phone is equipped with a camera, it's possible to make video with nearly no gear. However, a decent camera, some mics and a tripod can make a huge difference in quality. It's important that these videos be legible. Sound in particular should not be overlooked.		Now that nearly every phone is equipped with a camera, it's possible to make video with nearly no gear. However, a decent camera, some mics and a tripod can make a huge difference in quality. It's important that these videos be legible. Sound in particular should not be overlooked.

	Eventually, it may make sense for OSE to invest in a low end professional camera package (described in detail below). I have to do more research, but I imagine this could be had for $1000-$2000, maybe less if purchased used. For our immediate purposes, any decent prosumer camcorder will do.		Eventually, it may make sense for OSE to invest in a low end professional camera package (described in detail below). I have to do more research, but I imagine this could be had for $1000-$2000, maybe less if purchased used. For our immediate purposes, any decent prosumer camcorder will do so long as we pair it with a good sound recorder & mic set. A tripod would also go a long way.

	#'''Pro Camera Package''' I could work with much less gear, but this is a pretty standard setup for solo documentary work.		#'''Pro Camera Package''' I could work with much less gear, but this is a pretty standard setup for solo documentary work.
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	##'''[http://en.wikipedia.org/wiki/Shotgun_mic#Shotgun Shotgun Mic]''' - Directional mic to mount on top of camera as well as to record voice over. ~$100-$400.		##'''[http://en.wikipedia.org/wiki/Shotgun_mic#Shotgun Shotgun Mic]''' - Directional mic to mount on top of camera as well as to record voice over. ~$100-$400.
	##'''Tripod''' - Does not need to be of super high quality, just something to keep the camera fixed. Could probably get something decent for under ~$100. I will borrow one for my stay.		##'''Tripod''' - Does not need to be of super high quality, just something to keep the camera fixed. Could probably get something decent for under ~$100. I will borrow one for my stay.
			##'''Table Tripod''' - Cute portable tripod that mounts on a tabletop or straps to a pole. Already own, will bring.
	##'''[http://en.wikipedia.org/wiki/Lavalier_microphone Lavalier Mic]''' - A small wireless mic that clips to speaker's clothes. Very useful if you are shooting at a distance, especially in a place with lots of background noise (wind, machines, etc). Not super necessary, but will be handy to have eventually. ~$100-$400, wide variance in quality.		##'''[http://en.wikipedia.org/wiki/Lavalier_microphone Lavalier Mic]''' - A small wireless mic that clips to speaker's clothes. Very useful if you are shooting at a distance, especially in a place with lots of background noise (wind, machines, etc). Not super necessary, but will be handy to have eventually. ~$100-$400, wide variance in quality.
	##'''Wind Screen/Muff''' - Foam or fuzzy cover for shotgun mic to help reduce wind noise. Very much worth the investment. ~$25-$50		##'''Wind Screen/Muff''' - Foam or fuzzy cover for shotgun mic to help reduce wind noise. Very much worth the investment. ~$25-$50

Rrrojer: /* Resources Required & Budget */

2011-09-13T05:20:46Z

Resources Required & Budget

← Older revision		Revision as of 05:20, 13 September 2011
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	#'''Pro Camera Package''' I could work with much less gear, but this is a pretty standard setup for solo documentary work.		#'''Pro Camera Package''' I could work with much less gear, but this is a pretty standard setup for solo documentary work.
	##'''Camera''' - HD isn't a requirement, especially since we're shooting for web and will have limited storage space/processing power. I would highly recommend getting a camera w/ stereo input (for external microphones). $500-$1500, depending on whether or not you buy used. Could probably get even cheaper used if you don't bother with HD as many have upgraded, so should not be difficult to find a professional SD camera on the second hand market. I will ~~borrow one for my stay~~.		##'''Camera''' - HD isn't a requirement, especially since we're shooting for web and will have limited storage space/processing power. I would highly recommend getting a camera w/ stereo input (for external microphones). $500-$1500, depending on whether or not you buy used. Could probably get even cheaper used if you don't bother with HD as many have upgraded, so should not be difficult to find a professional SD camera on the second hand market. I will bring a passable camera with me.
	##'''Spare Batteries''' - price depends on the camera, we'd want a couple extra.		##'''Spare Batteries''' - price depends on the camera, we'd want a couple extra.
	##'''Sound Recorder''' - Probably a [http://en.wikipedia.org/wiki/Zoom_H2_Handy_Recorder \| Zoom Recorder] - to record voiceover, field sound, and even sync sound (via slate). ~$140		##'''Sound Recorder''' - Probably a [http://en.wikipedia.org/wiki/Zoom_H2_Handy_Recorder Zoom Recorder] - to record voiceover, field sound, and even sync sound (via slate). ~$140
	##'''[http://en.wikipedia.org/wiki/Shotgun_mic#Shotgun Shotgun Mic]''' - Directional mic to mount on top of camera as well as to record voice over. ~$100-$400.		##'''[http://en.wikipedia.org/wiki/Shotgun_mic#Shotgun Shotgun Mic]''' - Directional mic to mount on top of camera as well as to record voice over. ~$100-$400.
	##'''Tripod''' - Does not need to be of super high quality, just something to keep the camera fixed. Could probably get something decent for under ~$100. I will borrow one for my stay.		##'''Tripod''' - Does not need to be of super high quality, just something to keep the camera fixed. Could probably get something decent for under ~$100. I will borrow one for my stay.
	##'''[http://en.wikipedia.org/wiki/Lavalier_microphone Lavalier Mic]''' - A small wireless mic that clips to speaker's clothes. Very useful if you are shooting at a distance, especially in a place with lots of background noise (wind, machines, etc). Not super necessary, but will be handy to have eventually. ~$100-$400, wide variance in quality.		##'''[http://en.wikipedia.org/wiki/Lavalier_microphone Lavalier Mic]''' - A small wireless mic that clips to speaker's clothes. Very useful if you are shooting at a distance, especially in a place with lots of background noise (wind, machines, etc). Not super necessary, but will be handy to have eventually. ~$100-$400, wide variance in quality.
	##'''Wind Screen/Muff''' - Foam or fuzzy cover for shotgun mic to help reduce wind noise ~$25-$50		##'''Wind Screen/Muff''' - Foam or fuzzy cover for shotgun mic to help reduce wind noise. Very much worth the investment. ~$25-$50
	##'''Case''' - water resistant case to store camera & accessories ~$75, may be included in used camera package.		##'''Case''' - water resistant case to store camera & accessories ~$75, may be included in used camera package.
	# '''Media & Storage''' - depending on what the camera records to (mini-dv, flash card, etc.), enough media to record 15-20hrs of media, as well as ample hard drive space. ~$200		# '''Media & Storage''' - depending on what the camera records to (mini-dv, flash card, etc.), enough media to record 15-20hrs of media, as well as ample hard drive space. ~$200

Rrrojer: /* Resources Required & Budget */

2011-09-13T05:17:56Z

Resources Required & Budget

← Older revision		Revision as of 05:17, 13 September 2011
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	=== Resources Required & Budget ===		=== Resources Required & Budget ===
	Now that nearly every phone is equipped with a camera, it's possible to make video with nearly no gear. However, a decent camera, some mics and a tripod can make a huge difference in quality. It's important that these videos be legible. Sound in particular should not be overlooked. So I would strongly recommend OSE invest in a low end professional camera package (described in detail below). I have to do more research, but I imagine this could be had for $1000-$2000, maybe less if purchased used.		Now that nearly every phone is equipped with a camera, it's possible to make video with nearly no gear. However, a decent camera, some mics and a tripod can make a huge difference in quality. It's important that these videos be legible. Sound in particular should not be overlooked.

	~~I've always used school cameras up until now~~, ~~and~~ it ~~doesn't really~~ make ~~professional~~ sense for me to invest in ~~such~~ a package, ~~as it's generally easy and more economical to rent or borrow~~. ~~If OSE doesn't provide a camera~~, ~~I would bring a~~ prosumer camcorder ~~and a separate mic & sound recorder to record voiceover and field sound~~.		Eventually, it may make sense for OSE to invest in a low end professional camera package (described in detail below). I have to do more research, but I imagine this could be had for $1000-$2000, maybe less if purchased used. For our immediate purposes, any decent prosumer camcorder will do.

	#'''Camera Package:''' I could work with much less gear, but this is a pretty standard setup for solo documentary work.		#'''Pro Camera Package''' I could work with much less gear, but this is a pretty standard setup for solo documentary work.
	##'''Camera''' - HD isn't a requirement, especially since we're shooting for web and will have limited storage space/processing power. I would highly recommend getting a camera w/ stereo input (for external microphones). $500-$1500, depending on whether or not you buy used. Could probably get even cheaper used if you don't bother with HD as many have upgraded, so should not be difficult to find a professional SD camera on the second hand market.		##'''Camera''' - HD isn't a requirement, especially since we're shooting for web and will have limited storage space/processing power. I would highly recommend getting a camera w/ stereo input (for external microphones). $500-$1500, depending on whether or not you buy used. Could probably get even cheaper used if you don't bother with HD as many have upgraded, so should not be difficult to find a professional SD camera on the second hand market. I will borrow one for my stay.
	##'''Spare Batteries''' - price depends on the camera, we'd want a couple extra.		##'''Spare Batteries''' - price depends on the camera, we'd want a couple extra.
	##'''Tripod''' - Does not need to be of super high quality, just something to keep the camera fixed. Could probably get something decent for under ~$100.		##'''Sound Recorder''' - Probably a [http://en.wikipedia.org/wiki/Zoom_H2_Handy_Recorder \| Zoom Recorder] - to record voiceover, field sound, and even sync sound (via slate). ~$140
	##'''[http://en.wikipedia.org/wiki/Lavalier_microphone Lavalier Mic]''' - A small wireless mic that clips to speaker's clothes. Very useful if you are shooting at a distance, especially in a place with lots of background noise (wind, machines, etc). ~~I don't have much desire to purchase this for my own collection~~, but ~~I think it would~~ be ~~very good~~ to have ~~for this sort of video work~~. ~$100-$400, wide variance in quality.		##'''[http://en.wikipedia.org/wiki/Shotgun_mic#Shotgun Shotgun Mic]''' - Directional mic to mount on top of camera as well as to record voice over. ~$100-$400.
	##'''[http://en.wikipedia.org/wiki/Shotgun_mic#Shotgun Shotgun Mic]''' - Directional mic to mount on top of camera as well as to record voice over. Again, would prefer not to purchase personally but would if necessary. $100-$400.		##'''Tripod''' - Does not need to be of super high quality, just something to keep the camera fixed. Could probably get something decent for under ~$100. I will borrow one for my stay.
			##'''[http://en.wikipedia.org/wiki/Lavalier_microphone Lavalier Mic]''' - A small wireless mic that clips to speaker's clothes. Very useful if you are shooting at a distance, especially in a place with lots of background noise (wind, machines, etc). Not super necessary, but will be handy to have eventually. ~$100-$400, wide variance in quality.
	##'''Wind Screen/Muff''' - Foam or fuzzy cover for shotgun mic to help reduce wind noise ~$25-$50		##'''Wind Screen/Muff''' - Foam or fuzzy cover for shotgun mic to help reduce wind noise ~$25-$50
	##'''Case''' - water resistant case to store camera & accessories ~$75, may be included in used camera package.		##'''Case''' - water resistant case to store camera & accessories ~$75, may be included in used camera package.

Rrrojer: /* Summary of Proposal */

2011-09-12T03:27:29Z

Summary of Proposal

← Older revision		Revision as of 03:27, 12 September 2011
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	* Short philosophical pieces about resilience and sustainability. One could be targeted towards environmentalists, another towards over-educated and under-employed/-skilled twenty-somethings, another towards survivalists/zombie-apocalypse/doomsday types.		* Short philosophical pieces about resilience and sustainability. One could be targeted towards environmentalists, another towards over-educated and under-employed/-skilled twenty-somethings, another towards survivalists/zombie-apocalypse/doomsday types.

	''Methods''		'''Methods'''

	Each week would begin with a meeting with Marcin and any interested project managers to discuss documentation needs. 5-10 instructional topics would be determined, as would interesting filming opportunities, such as a big harvest or new construction. Pre-existing footage would be discussed and new shoots would be scheduled/coordinated with the relevant parties.		Each week would begin with a meeting with Marcin and any interested project managers to discuss documentation needs. 5-10 instructional topics would be determined, as would interesting filming opportunities, such as a big harvest or new construction. Pre-existing footage would be discussed and new shoots would be scheduled/coordinated with the relevant parties.

Rrrojer: /* Summary of Proposal */

2011-09-12T03:26:16Z

Summary of Proposal

← Older revision		Revision as of 03:26, 12 September 2011
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	The goal of my Dedicated Project Visit is near-daily publication of video documentation. The majority of these videos would be instructional clips documenting a specific, bite-sized component of a GVCS device. My priority will be editing and publishing material culled from existing footage, only shooting pickup material as needed to fill in the gaps. I will aim for a rate of one micro-instructional a day for five days a week, hopefully picking up speed as I get practice. These will be embedded on the appropriate wiki page.		The goal of my Dedicated Project Visit is near-daily publication of video documentation. The majority of these videos would be instructional clips documenting a specific, bite-sized component of a GVCS device. My priority will be editing and publishing material culled from existing footage, only shooting pickup material as needed to fill in the gaps. I will aim for a rate of one micro-instructional a day for five days a week, hopefully picking up speed as I get practice. These will be embedded on the appropriate wiki page.

	I will also put together a weekly video update documenting what happens each week at Factor-e. I will shoot material throughout the week and then cut the highlights into a short, engaging & tightly edited video. I will post the video on the blog at a regular time each week so True ~~Supporters~~ can follow our progress and see how their donations are being used.		I will also put together a weekly video update documenting what happens each week at Factor-e. I will shoot material throughout the week and then cut the highlights into a short, engaging & tightly edited video. I will post the video on the blog at a regular time each week so True Fans can follow our progress and see how their donations are being used.

	If I maintain a regular publication schedule for the first 3-4 weeks of my stay, the final week will be spent on producing 1-2 scripted, promotional videos. These would be intended to complement, rather then replicate, the excellent [[GVCS_in_2_Minutes \| explainer videos]], which already do a great job of introducing the OSE & GVCS. My goal would be to use humor or emotion to both reach new eyes (and direct them towards the explainer videos) and to implore those already familiar with OSE to become [[True Fans]]. The goal is standalone videos with have the potential to go viral: people will blog and post on their friends' facebook walls. ~~Perhaps targeting~~ specific communities/demographics (reddit, slow food movement, recent college grads etc.) that may not yet be aware of OSE.		If I maintain a regular publication schedule for the first 3-4 weeks of my stay, the final week will be spent on producing 1-2 scripted, promotional videos. These would be intended to complement, rather then replicate, the excellent [[GVCS_in_2_Minutes \| explainer videos]], which already do a great job of introducing the OSE & GVCS. My goal would be to use humor or emotion to both reach new eyes (and direct them towards the explainer videos) and to implore those already familiar with OSE to become [[True Fans]]. The goal is standalone videos with have the potential to go viral, something that people will blog and post on their friends' facebook walls. One strategy could be to target specific communities/demographics (reddit, slow food movement, recent college grads etc.) that may not yet be aware of OSE but might be friendly & generous once informed.

	Possible subjects include:		Possible subjects include:
	* Spoof "ads" for the machines in the [[OSE_Christmas_Gift_to_the_World_2011]]		* Spoof "ads" for the machines in the [[OSE_Christmas_Gift_to_the_World_2011]]
	* Informative but playful "How To Fabricate" video series. This would cover the absolute basics -- tool overview, lab safety, etc.		* Informative but playful "How To Fabricate" video series. This would cover the absolute basics -- tool overview, lab safety, etc.
	* Short philosophical pieces about resilience and sustainability. One could be targeted towards environmentalists, another towards over-educated and under-employed/-skilled twenty-somethings, another towards survivalists/zombie-apocalypse/doomsday types.		* Short philosophical pieces about resilience and sustainability. One could be targeted towards environmentalists, another towards over-educated and under-employed/-skilled twenty-somethings, another towards survivalists/zombie-apocalypse/doomsday types.

			''Methods''

	Each week would begin with a meeting with Marcin and any interested project managers to discuss documentation needs. 5-10 instructional topics would be determined, as would interesting filming opportunities, such as a big harvest or new construction. Pre-existing footage would be discussed and new shoots would be scheduled/coordinated with the relevant parties.		Each week would begin with a meeting with Marcin and any interested project managers to discuss documentation needs. 5-10 instructional topics would be determined, as would interesting filming opportunities, such as a big harvest or new construction. Pre-existing footage would be discussed and new shoots would be scheduled/coordinated with the relevant parties.

Rrrojer: /* Summary of Proposal */

2011-09-12T03:19:33Z

Summary of Proposal

← Older revision		Revision as of 03:19, 12 September 2011
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	I will also put together a weekly video update documenting what happens each week at Factor-e. I will shoot material throughout the week and then cut the highlights into a short, engaging & tightly edited video. I will post the video on the blog at a regular time each week so True Supporters can follow our progress and see how their donations are being used.		I will also put together a weekly video update documenting what happens each week at Factor-e. I will shoot material throughout the week and then cut the highlights into a short, engaging & tightly edited video. I will post the video on the blog at a regular time each week so True Supporters can follow our progress and see how their donations are being used.

			If I maintain a regular publication schedule for the first 3-4 weeks of my stay, the final week will be spent on producing 1-2 scripted, promotional videos. These would be intended to complement, rather then replicate, the excellent [[GVCS_in_2_Minutes \| explainer videos]], which already do a great job of introducing the OSE & GVCS. My goal would be to use humor or emotion to both reach new eyes (and direct them towards the explainer videos) and to implore those already familiar with OSE to become [[True Fans]]. The goal is standalone videos with have the potential to go viral: people will blog and post on their friends' facebook walls. Perhaps targeting specific communities/demographics (reddit, slow food movement, recent college grads etc.) that may not yet be aware of OSE.

			Possible subjects include:
			* Spoof "ads" for the machines in the [[OSE_Christmas_Gift_to_the_World_2011]]
			* Informative but playful "How To Fabricate" video series. This would cover the absolute basics -- tool overview, lab safety, etc.
			* Short philosophical pieces about resilience and sustainability. One could be targeted towards environmentalists, another towards over-educated and under-employed/-skilled twenty-somethings, another towards survivalists/zombie-apocalypse/doomsday types.


	Each week would begin with a meeting with Marcin and any interested project managers to discuss documentation needs. 5-10 instructional topics would be determined, as would interesting filming opportunities, such as a big harvest or new construction. Pre-existing footage would be discussed and new shoots would be scheduled/coordinated with the relevant parties.		Each week would begin with a meeting with Marcin and any interested project managers to discuss documentation needs. 5-10 instructional topics would be determined, as would interesting filming opportunities, such as a big harvest or new construction. Pre-existing footage would be discussed and new shoots would be scheduled/coordinated with the relevant parties.

Rrrojer: /* Weekly Deliverable Schedule */

2011-09-12T02:11:48Z

Weekly Deliverable Schedule

← Older revision		Revision as of 02:11, 12 September 2011
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	=== Weekly Deliverable Schedule ===		=== Weekly Deliverable Schedule ===

	'''~~Week~~ 1:'''		'''Weeks 1-4:'''
	# Weekly Schedule outlining video topics & shoot days (anything that require coordination with other people)		# Weekly Schedule outlining video topics & shoot days (anything that require coordination with other people)
	# 5 ~~scripts/storyboards~~		# 5 micro-instructionals
	~~# 1 introductory video explaining my DPV and announcing arrival at Factor-e (1-2 min)~~		# 1 weekly update Video
	~~# 4 instructional videos (1-3 min)~~

	~~'''Week 2:'''~~
	~~# Weekly Schedule~~
	~~# 4-5 scripts/storyboards~~
	~~# 3 instructional videos (1-3 min)~~
	~~# 1 "life at Factor-e" video (2~~-~~5 min)~~
	# 1 ~~interview video (3-10 min)~~

	~~'''Week 3:'''~~
	~~# Weekly Schedule~~
	~~# 4-5 scripts/storyboards~~
	~~# 4 instructional videos (1-3 min)~~
	~~# 1 eye-candy video (1-2 min)~~

	~~'''Week 4:'''~~
	~~# Weekly Schedule~~
	~~# 4-5 scripts/storyboards~~
	~~# 3 instructional videos (1-3 min)~~
	~~# 1 "life at Factor-e" video (2-5 min)~~
	~~# 1 interview video (3-10 min)~~

	'''Week 5:'''		'''Week 5:'''
	# Weekly Schedule		# Weekly Schedule
	# 2-~~3 scripts/storyboards~~		# 1-2 scripted, promotional videos geared towards recruiting new [[True Fans]].
	# 2 ~~instructional~~ videos ~~(1-3 min)~~
	~~# 1 longer video piece on a subject of my choosing (3-15 min)~~


	Note: This is an ideal schedule and may prove to be too ambitious. As currently planned, each day I would take a project from start to finish: write-shoot-edit. However if the result is unsatisfactory, it may make sense to lower the target to 4 videos/week and try to concentrate like activity. The first day of the week would be spent writing all four scripts & shooting, and then the remaining four days spent exclusively editing. This way there would be less time wasted context-switching.		Note: This is an ideal schedule and may prove to be too ambitious. As currently planned, each day I would take a project from start to finish: write-shoot-edit. However if the result is unsatisfactory, it may make sense to lower the target to 4 videos/week and try to concentrate like activity. The first day of the week would be spent writing all four scripts & shooting, and then the remaining four days spent exclusively editing. This way there would be less time wasted context-switching.